Страх и ненависть во всем мире - Роберт Александер

PRZEDMIOTEM OFERTY JEST KOD DOSTĘPOWY DO KSIĄŻKI ELEKTRONICZNEJ (EBOOK)

KSIĄŻKA JEST DOSTĘPNA NA ZEWNĘTRZNEJ PLATFORMIE. KSIĄŻKA NIE JEST W POSTACI PLIKU.

For more than 40 years, the radically subjective style of participatory journalism known as Gonzo has been inextricably associated with the American writer Hunter S. Thompson. Around the world, however, other journalists approach unconventional material in risky ways, placing themselves in the middle of off-beat stories, and relate those accounts in the supercharged rhetoric of Gonzo. In some cases, Thompson's influence is apparent, even explicit; in others, writers have crafted their journalistic provocations independently, only later to have that work labelled "Gonzo." In either case, Gonzo journalism has clearly become an international phenomenon. In Fear and Loathing Worldwide, scholars from fourteen countries discuss writers from Europe, the Americas, Africa and Australia, whose work bears unmistakable traces of the mutant Gonzo gene. In each chapter, "Gonzo" emerges as a powerful but unstable signifier, read and practiced with different accents and emphases in the various national, cultural, political, and journalistic contexts in which it has erupted. Whether immersed in the Dutch crack scene, exploring the Polish version of Route 66, following the trail of the 2014 South African General Election, or committing unspeakable acts on the bus to Turku, the writers described in this volume are driven by the same fearless disdain for convention and profound commitment to rattling received opinion with which the "outlaw journalist" Thompson scorched his way into the American consciousness in the 1960s, '70s, and beyond.

• Autorzy: Robert Alexander ?Christine Isager
• Wydawnictwo: Bloomsbury USA
• Data wydania: 2018
• Wydanie: 1
• Liczba stron:
• Forma publikacji: PDF (online)
• Język publikacji: angielski
• ISBN: 9781501333934

• Half-title
• Title
• Copyright
• Contents
• List of Illustrations
• Contributors
• Acknowledgments
• Introduction
• Part One: First Waves, Currents of Tradition
• 1. Gonzo Down Under: Matthew Thompson and the literary and political legacy of Hunter
• 2. Diffusion of the inimitable: Helge Timmerberg and the advent of German Gonzo
• 3. Gonzo journalism in France: “another kind of journalism is possible”
• 4. Gonzo Brazilian style: Arthur Veríssimo’s adaptations of Thompson’s journalism
• Part Two: Gonzo as Socio-Political Intervention
• 5. Australia’s Elisabeth Wynhausen and a century of Gonzo ethnography
• 6. Loathing in southern Denmark: Gonzo ethos in a showdown with tabloid journalism
• 7. “Among madmen and crooks”: Stella Braam’s strange and terrible saga of total immersion in A
• 8. The truth is always Gonzo: David Leigh, politics, and the frontiers of secrecy
• Part Three: Gender and the Osmotic Gonzo Body
• 9. “Mastering the art of being powerless and completely stupid”: Australian Gonzo as l’écritu
• 10. SoHo, la revista prohibida para las mujeres: Gonzo by women in a Colombian men’s magazine Carl
• 11. The return of Gonzo through the female body: Gabriela Wiener and the journalist as a sexual vort
• Part Four: Edgework, Fantasy, and Truth
• 12. Scatological anecdotes, heavy drinking, and backpacker culture: Gonzo humor and edgework in cont
• 13. Fear and loathing in the desert of the real: Hunter S. Thompson, “Hannibal Elector,” and the
• 14. Cultural insight by way of distortion: Ziemowit Szczerek’s introduction and immediate deconstr
• Part Five: The Continuing Story of Gonzo Worldwide
• 15. The hijacking of “Gonzo”: in name only, Hunter S. Thompson’s style is everywhere on the in
• 16. Future Gonzo by Spider Jerusalem: Thompson’s journalism adapted to the world of the graphic no
• Afterword: Gonzo without end, amen
• Index

W tej ofercie kupujesz kod dostępowy umożliwiający dostęp do wskazanej treści. Kod umożliwia dostęp do treści za pomocą przeglądarki WWW, dedykowanej aplikacji iOS (Apple) ze sklepu App Store lub dedykowanej aplikacji Android ze sklepu Play. Kod oraz instrukcje otrzymasz pocztą elektroniczną niezwłocznie po zaksięgowaniu płatności. Brak możliwości pobrania pliku.

Na podstawie art. 38 pkt 13 Ustawy z dnia 30 maja 2014 roku o prawach konsumenta realizując kod dostępowy rezygnujesz z prawa do odstąpienia od umowy zawartej na odległość.

Typ licencji: licencja wieczysta.

BRAK MOŻLIWOŚCI POBRANIA PLIKU.

NIE PRZESYŁAMY PLIKÓW E-MAILEM.