Бернард Шоу о театре - Джордж Бернард Шоу

PRZEDMIOTEM OFERTY JEST KOD DOSTĘPOWY DO KSIĄŻKI ELEKTRONICZNEJ (EBOOK)

KSIĄŻKA JEST DOSTĘPNA NA ZEWNĘTRZNEJ PLATFORMIE. KSIĄŻKA NIE JEST W POSTACI PLIKU.

A collection of critical writings on theater from the Nobel Prize–winning playwright behind Man and Superman and Pygmalion. The Critical Shaw: On Theateris a comprehensive selection of essays and addresses about drama and theater by renowned Irish playwright and Nobel Laureate Bernard Shaw. An outspoken critic of the melodramas and formulaic farces that comprised most of the popular theater in the late nineteenth century, Shaw relentlessly campaigned for audiences, actors, theater managers, and even government officials to take theater more seriously, to use the stage as a forum for representing complex real issues such as poverty, marriage and divorce laws, sexual attraction, gender equality, and political power, so that through seeing them acted out, audiences could better understand and address them when they left the theater. Shaw’s commitment to social reform through theater was matched by his expertise in the artistic and practical aspects of drama: whether he was reviewing productions, lecturing about acting, or schooling agents on royalties and copyright law, Shaw set a standard for intelligent professionalism that our own theaters might still aspire to and be measured against.The Critical Shawseries brings together, in five volumes and from a wide range of sources, selections from Bernard Shaw’s voluminous writings on topics that exercised him for the whole of his professional career: Literature, Music, Politics, Religion, and Theater. The volumes are edited by leading Shaw scholars, and all include an introduction, a chronology of Shaw’s life and works, annotated texts, and a bibliography. The series editor is L.W. Conolly, literary adviser to the Shaw Estate and former president of the International Shaw Society.

• Autorzy: George Bernard Shaw
• Wydawnictwo: Open Road Integrated Media, Inc.
• Data wydania: 2016
• Wydanie:
• Liczba stron:
• Forma publikacji: ePub (online)
• Język publikacji: angielski
• ISBN: 9780795346880

BRAK MOŻLIWOŚCI POBRANIA PLIKU. Drukowanie: OGRANICZENIE DO 10 stron. Kopiowanie: OGRANICZENIE DO 10 stron.

• Acknowledgments
• General Editor’s Preface
• Introduction
• Bernard Shaw and His Times: A Chronology
• A Note on the Text
• Part I: Professional Critic
• 1. A New Lady Macbeth and a New Mrs Ebbsmith, 25 May 1895. [Our Theatres in the Nineties, vol. 1, pp. 126–33]
• 2. The Case for the Critic-Dramatist, 16 November 1895. [Our Theatres in the Nineties, vol. 1, pp. 245–51]
• 3. The Farcical Comedy Outbreak, 9 May 1896. [Our Theatres in the Nineties, vol. 2, pp. 118–24]
• 4. Blaming the Bard, 26 September 1896. [Our Theatres in the Nineties, vol. 2, pp. 195–202]
• 5. The Theatres, 16 October 1897. [Our Theatres in the Nineties, vol. 3, pp. 215–21]
• 6. “Valedictory,” 21 May 1898. [Our Theatres in the Nineties, vol. 3, pp. 384–86]
• 7. The Author’s Apology, 1906, 1931. [Our Theatres in the Nineties, vol. 1, pp. v–viii]
• Part II: Advice on Seeing and Producing Shaw’s Plays
• 1. “There is no way of becoming a dramatic critic,” a letter to Reginald Golding Bright, 30 April 1894. [Bernard Shaw: Collected Letters 1874–1897, pp. 423–4]
• 2. From “A Dramatic Realist to His Critics,” The New Review XI, July 1894. [The Bodley Head Bernard Shaw: Collected Plays with their Prefaces, vol. 1, pp. 485–511]
• 3. From the Preface to Major Barbara, 1906. [The Bodley Head Bernard Shaw: Collected Plays with their Prefaces, vol. 3, pp. 15–63]
• First Aid to Critics
• The Gospel of St. Andrew Undershaft
• The Salvation Army
• 4. The Court Theatre, 1907. [Platform and Pulpit, pp. 36–41]
• 5. Statement to New York Theatre Audiences, 1924. [The Bodley Head Bernard Shaw: Collected Plays with their Prefaces, vol. 6, pp. 209–12]
• 6. Prefatory Note to The Six of Calais, 1935. [The Bodley Head Bernard Shaw: Collected Plays with their Prefaces, vol. 6, pp. 973–75]
• Part III: Theatre and Social Reform
• 1. Acting, by one who does not believe in it, 1889. [Platform and Pulpit, pp. 12–23]
• 2. Church and Stage, 1898. [Our Theatres in the Nineties, vol. 3, pp. 292–97]
• 3. From the Preface to Plays Pleasant, 1898. [The Bodley Head Bernard Shaw: Collected Plays with their Prefaces, vol. 1, pp. 371–85]
• 4. from the Preface to Three Plays by Brieux, 1913.
• From Moliere to Brieux.
• How the XIX century found itself out.
• Zolaism as a Superstition.
• The Passing of the Tragic Catastrophe and the Happy Ending.
• The Difference between Brieux and Moliere or Shakespear.
• The Pedantry of Paris.
• How to Write a Popular Play.
• Why the Critics are always Wrong.
• The Interpreter of Life.
• How the Great Dramatists torture the Public.
• 5. From “The Quintessence of Ibsenism,” 1922.
• The Technical Novelty in Ibsen’s Plays
• Needed: An Ibsen Theatre
• 6. From “The Need for Expert Opinion in Sexual Reform,” 1929. [Platform and Pulpit, pp. 200–7]
• 7. The Play of Ideas, 1950. [Shaw on Theatre, 289–94]
• Part IV: Censorship
• 1. The Censorship of the Stage in England, 1899. [The North American Review Vol. 169, No. 513, pp. 251–262]
• 2. From the Preface to The Shewing-up of Blanco Posnet, 1909. [The Bodley Head Bernard Shaw: Collected Plays with their Prefaces, vol. 3, pp. 673–762]
• The Censorship
• How Not To Do It
• Why The Managers Love The Censorship
• A Two Guinea Insurance Policy
• The Committee’s Attitude Towards The Theatre
• A Bad Beginning
• The Rejected StatementPart I
• Preface Resumed
• Conclusion
• 3. From “Censorship as a Police Duty,” 1928. [Platform and Pulpit, pp. 183–200]
• Part V: The Business of Theatre
• 1. Preface to The Theatrical “World” of 1894, by William Archer, 1895.
• 2. “On Nothing in Particular and the Theatre in General,” 1896. [Our Theatres in the Nineties, vol. 2, pp. 67–73]
• 3. “There’s no ring,” a letter to Reginald Golding Bright, 10 June 1896. [Bernard Shaw: Collected Letters 1874–1897, pp. 630–2]
• 4. Mr Bancroft’s Pilgrimage, 19 December 1896. [Our Theatres in the Nineties, vol. 2, pp. 278–85]
• 5. Letters about Production Rights and Royalties, 1907–1925.
• 6. Bernard Shaw Talks about Actors and Acting, 1929. [Shaw on Theatre, pp. 186–97]
• 7. Why Too True to be Good Failed: A Moral in Favour of a National Theatre, 1932. [The Bodley Head Bernard Shaw: Collected Plays with their Prefaces, vol. 6, pp. 532–4]
• 8. Playwrights and Amateurs, 1933. [Shaw on Theatre, pp. 228–36]
• 9. Rules for Directors, 1949. [Shaw on Theatre, pp. 279–89]
• 10. Letter to Barry Jackson, 17 August 1950. [Bernard Shaw and Barry Jackson, p. 195]
• Sources and Further Reading
• Autobiography
• Biography
• Letters
• Plays And Prefaces
• Theatre Reviews, Essays, And Addresses
• Criticism
• The Critical Shaw

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