LP «Pan American» — «In Daylight Dub»

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LP «Pan American» — «In Daylight Dub»

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Характеристики

Артикул
14511042933
Identyfikator produktu
14511042933
Состояние
Новый
Tytuł
In Daylight Dub
Gatunek
nowe brzmienia
Nośnik
Winyl
Wykonawca
Pan American
Wytwórnia
inna (Foam on a Wave)
Rok wydania
2020
Stan opakowania
oryginalne
Rozmiar płyty (")
12
Liczba nośników w wydaniu
1

Описание

Pan American - In Daylight Dub

wytwórnia: Foam on a Wave, 2023

nośnik: winyl, format: 12"LP, ilość nośników: 1

czarny  ,  singlefold

download code: nie

nr kat.: FOAW004, 5050580798878

czas:

ambient, elektronika

https://youtu.be/x1uN0QWKWxU

https://youtu.be/UWBujC6dUVM

https://youtu.be/INh5asQ1WO4

https://youtu.be/fC0_fTLbBEI

A)

1. Renzo 11:32

2. Esso 9:51

B)

1. Quarry A 6:01

2. Running Dog (Reborn) 12:42

- First compilation of obscure ambient dub/dub techno compositions from Pan•American, from the turn of the century, with cover sleeve created from his photographs from the same era.

- Restored from original copies of x3 EPs, remastered and cut by Grammy-nominated en gineer Frank Merritt @ The Carvery, London.

Overview:

Our fourth release comes in the form of a collection of rich, pulsating ambient/dub techno from Pan•American - the solo project of post-rock trio Ladbradford's front man Mark Nel son. Drawn to the incredible depth and texture of these tracks, we hope to shine a light on Mark's more exploratory electronic work, reminiscent of Jan Jelenik, Fennesz and Vladis lav Delay.

Through the Pan•American moniker, Mark has been able to embrace the possibilities of sampling and other musical technologies in order to exercise his interests in more remote genres like dub and techno. This collection comprises Mark's dreamiest, most sumptuous and blissed-out tracks taken from 3 obscure releases on labels traversing Zedelgem, Lon don and Portland - (K-RAA-K)³, Veritcal Form and BSI Records. Across these imprints, their output spans IDM, electronica, lo-fi, experimental dub and beyond and have been a music al home to the likes of Pub, Muslimguaze, and King Jammy and more.

Mark's work sits at a confluence of these broad influences, shedding the sound of his post rock past for a more rhythmic, computer-based approach, which culminated in 2002's The River Made No Sound. As ever, the music is an emotional outpouring, progressing slowly through phases between stillness and movement, darkness and light.

With a string of recent releases on Longform Editions and his long-term home Kranky, Mark continues to write and perform worldwide at festivals and prestigious venues such as Lon don's Cafe Oto and Public Records in Brooklyn, NYC. The increasingly personal and reflect ive nature of his music has seen him come full circle to a more organic sound, as exempli fied by his latest LP, The Patience Fader.

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