«Жена скотовода и другие рассказы»: полное аннотированное собрание рассказов об австралийской глубинке Генри Лоусона

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«Жена скотовода и другие рассказы»: полное аннотированное собрание рассказов об австралийской глубинке Генри Лоусона

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Характеристики

Артикул
B0GYL8QK7F
Identyfikator produktu
B0GYL8QK7F
Język
Angielski
Wymiary
15.24 x 1.85 x 22.86 cm
Data publikacji
25 kwietnia 2026
Długość wersji drukowanej
292 str.

Описание

In 1892, Henry Lawson published The Drover's Wife in the Sydney Bulletin. It was two thousand words about a woman alone in a bark hut, watching through the night for a snake that had crawled under the floorboards. No heroes. No drama. Just a woman, her children, and a dog named Alligator — and one of the most quietly devastating portraits of human endurance ever written in Australian English. This annotated edition brings together all 52 stories from Lawson's landmark 1896 collection While the Billy Boils — the book that established the Australian short story as a literary form — organised into eight thematic sections and introduced with historical notes written for the modern reader. Mitchell — the laconic bush philosopher who can find something worth saying about almost anything, and usually does. Steelman — the charming, quick-witted rogue who survives entirely on his wits in a country that does not reward sentiment. And the countless unnamed men and women of the track — swagmen, selectors, shearers, and wanderers — who carry Lawson's Australia on their backs from the first page to the last. The text of While the Billy Boils is in the public domain, and free versions exist online. What they do not offer is context. Lawson wrote for readers who already knew the world he was describing — who understood what it meant to be on the track, to select a block, to work a shearing run. This edition restores that context for the contemporary reader, making the stories not just accessible but fully alive. Henry Lawson is the writer who gave Australia its first honest self-portrait. He looked at ordinary people living difficult lives in an extraordinary landscape and decided that what he saw was worth the full attention of art. More than a century later, he was right.

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